March 15th
Tock…
“Sweet dreams till sunbeams find you…” I have always been mesmorised by the immortal words in that song. Sunbeams certainly found us that morning. It was going to be a beautiful day. As for sweet dreams, well we both slept surprisingly well. We headed out to find McDonalds – of all places – where the Bollywood press-ganger had told us to meet him. We found the
place eventually after a couple of phone-calls. We were ushered on to a bus full of back-packers and left waiting for about 30 mins until everyone had arrived. Everyone on the bus had pretty much the same story as us. They were in Mumbai and travelling India and had been recruited from one of the many backpacker hotels in the area. There were people from all over the world – a Polish couple from Krakow; three English voluntary workers; A French backpacker from Toulouse; two east European girls; a German family, father, mother, and sixteen year old daughter; a guy from Argentina; A huge French-looking guy who spoke Urdu. The list was extensive. So was the journey. When the bus finally got moving it took over 90 mins to cross Mumbai to the film studios located north of the city. Located near Parleville of all places.
The film studio was, from my limited experience, the same as other studios I have been to in my life. Huge buildings akin to warehouses are set along-side each other in a grid-fashion. Buildings that are designed to be shells, inside of which sets can be created and tailored to the needs of each movie, and then torn down a day later. And Bollywood does produce so many movies. The annual turn-out of films from Mumbai, per year, is approx 800. That is roughly equivalent to 14 movies a week. Hollywod makes a meagre 200 films per annum.
We were dropped off by the side of studio 12. A huge, somewhat desolate-looking building; its desolation negated by the congregation of people, trailers, vehicles, and props outside of it. We were immediately split into groups of males and females and sent off to our respective trailers for outfitting.
… The trailer is packed with people, all male, all looking slightly awkward and unnerved. Even though it is before 10am it is already unbelievably hot outside. There isn’t a cloud in the sky. By midday it is going to be scorching. Despite the cramped conditions we are all thankful for the air-conditioning in the trailer. The trailer is comprised of a sofa on one side and a hu
ge mirror on the other. Complete with the usual light-bulbs adorning the outside. It looks as though it is designed for one person. There are around nine of us in here. The outfitter is searching through a wardrobe of some seriously bad clothes. He singles out each of us in turn. He then goes through the clothes one by one. The polish guy gets a blue PVC body-warmer. The Argentinean guy gets a leather jacket. The French guy gets a dodgy T-Shirt and an even dodgier pair of slip-ons. The German dad gets a blue-cycling top that doesn’t do his waist any favours. The English voluntary worker gets a Red PVC body-warmer. Despite the language barriers, we manage to insult each other’s regalia with aplomb. Now it is my turn. Pin-striped trousers and a leather waist-coat. With tassles. I squeeze into the trousers amid hoots and roars of laughter. I flatly refuse to wear the shoes on grounds of human decency. I do hope Merryl has been evenly matched…
We were all suitably outfitted in the required outfits for ‘European partygoers’. I don’t know when the last time the outfitter had checked what western a la mode was, but I suspect it may
have been 1981. The cast of Fame would have a cringed at these outfits. And most of them were still serving sentences for crimes against fashion. I was so embarrassed I didn’t want to leave the trailer, however I needn’t have been. The girls’ attire was even more atrocious than ours. Merryl was repose in a beautiful fish-scale sequined number. The other girls outfits ranged from a union-jack sequined dress to cocktail skirts and boa-feathered scarves. I was half-expecting the Bride of Wilderstein to pop around the corner, arm-in-arm with Dale Winton in matching underwear, and the scene would have would have been set.
The next 10 hours were spent doing nothing. The scene that was being filmed was a night-club dancing shot. We were required at some point in the day to pop in and sit, drinking and dancing and looking cool. Looking cool… my God had they not seen what we were wearing?
It was an interesting day spent sitting around doing absolutely nothing in a clown’s outfit. We spent a great deal of it chatting to the other extras, sitting in the air-conditioned trailer where it was at least cool, if not a little cramped. We wondered around the film sets and got to look in at a number of sets being created. The set engineers were amazing and some of the props they were creating were phenomenal. We ambled up the the police training centre to the shop about 4 times. We were given tea and biscuits for breakfast, and Byriani for lunch. Merryl and I managed to get a trailer to ourselves for a short while and were fooling around and getting pretty frisky when the rest of the extras walked in on us. Which was nice. We all ended up watching a Bollywood movie together. I do quite like the concept of a Indian film. They embrace fully the human archetypes of good, evil, heroes and villains, swooning heroines, and brave young swashbuckling heroes. They tap in to the human psyche and play on your emotions like a fiddle. The dancing, however, needs work. I think the idea is that it replaces the sexual expression in a movie. Sexual frustration expressed through dance is, for the viewer, merely frustrating.
Around mid-afternoon I struck up a game of catch with some local kids outside of the film studi
o. They started off with fruit but then ran off and came back with a ball. They tried to get me to play cricket but I couldn’t be arsed. Finally they chucked the ball under the trailer. When I went to retrieve it I discovered where the toilets were depositing their sewage. The game ended very soon afterwards. Just after this point I was approached by two guys who wanted to star me in a speaking part in an advert. All expenses paid. It just involved me going to Goa for a week. I explained to them I was on a tight time-frame and had just come from Goa and was not going back. This did not deter them. They got quite moody when I put my foot down. The oddest thing though, was that everyone in the know here had dyed their hair orange. It seemed to be the rage among the Bollywood elite. Now I don’t know if you can picture it, but an Indian person with bright ginger hair… need I say more?
Afternoon gave way to early evening. Merryl chatted to the three En
glish volunteers, whilst I sat with the French guy and watched the sun set behind the cast and crew on the set. Dancers in hot pants with very long legs and sequined tops rushed about. A group of men went passed carrying a huge golden bird cage. I realised it had been a very long time since I had sat around doing absolutely nothing for a whole day. I also realised it was a great feeling. In the twilight evening, I sat, warm and more content than I could ever remember being.
The star of the film came out amidst a throng of fans, signed a few autographs, and then headed off in his limo. I dryly noted we probably wou
ld not be doing any filming that day after all. This was soon confirmed by our scout. The news was received with mixed blessings. Most people by this point – approx 7pm – wanted to go home. The young girl with her parents was absolutely gutted as she had her hopes pinned on starring in a movie. The rest of us just wanted to get out of the outfits we had endured for the day. Dinner was being served for everyone on the set, so we got changed into our old clothes and grabbed a bit before heading home. Then Merryl and I walked around the set one last time and sat and took in the ambience for a while before heading back to meet the others. As we got back we found everyone teeming with excitement. We were filming after all.
… Merryl, the Polish girl, and I are sitting with our red and blue sparkling glasses on a table at the side of the dance-floor. We have been moved three times already. Behind us the waiter has just dropped a tray full of swizzy, multicoloured glasses. This nearly incurred the wrath of the director, however, in the scheme of things, he has other things to worry about. We are inside the studio. The dance set is palatial to say the very least. Around 200 hundred dancers, chorus girls, hip and funky Mumbians, barflys, waiters, and cage-dancers are littered around the place. On the dance-floor there are dozens of beautiful girls wearing very little and pumped up young guys with perfectly waxed hair. Bodies are writhing everywhere. The choreographer is trying to get the shot in synch. She has run it through about 50 times since we have been there. The place appears to be complete agony. The stars aren’t even on the set yet. Their dance doubles are standing in for them. There is a camera fixed on a moving platform that is panning out across the whole set as it descends down to focus on the golden cage I saw earlier. The leading actor and actress finally come out. The guy keeps on getting his hair watered and checking it in a mirror between every take. We three are rolling our eyes and are in stitches. This is just too much. The male choreographer notices Merryl and I and tries to get us down on the dance floor. We both ignore him. The rest of the extras are dotted around the place. I spot the young German girl looking like she is having the time of her life. Bollywood Dreams…
We finally got out around 9pm. Our scout immediately told us we would need to film again that night. We all made an immediate executive decision to quit the film industry. We refused. He relented. We got on the bus and went back to our hotel. It had been a hilarious and wonderful day. Not one I would like to repeat though. I think our budding film careers were most definitely over.